Drie poorten voor Danteland

for choir and three trombones

Setting the German dictionary to music: the role of language in Der Alfa

Traditionally in music, lyrics are used to tell a story. How do you prevent the traditional narrative of a story from dominating the whole composition and still use language? Music is value-free, text is not. How can music have the same influence on words as words have on the interpretation of music?

Der Alfa

for voice, electronica, dancers and projection

Εργον

for soprano saxophone, baritone saxophone, marimba and accordion

Kinderspel

for three percussionists

Honderd jaar eenzaamheid

for soprano and cello

Voor een verloren meisje

for electronica

Vaders en eieren

Incidental music

Repeating then, is in everyone.

for piano

Vitrail: chorale

for chamber orchestra (without strings)

Fopsnor

Soundtrack

Element

for music box

ancientMachinery

for reed quintet

youngMachinery

for string orchestra

Meditatie voor Damaris

for piano

Ôm

for cello and piano

Cantar

for two piano’s

Alea

for harpsichord

Tussen Eufraat & Tigris

for church organ

Pluim op de overloop

for piano